Michael Grandinetti Gets Primo Treatment

Michael Makes News

The three-page feature article traces Michael?s career from his first performance during “show and tell” in Kindergarten to his recent television, radio, and stage appearances around the country, including Entertainment Tonight and NBC?s “The World?s Most Dangerous Magic II.” The bi-monthly magazine featuresseveral photos of Michael, including onefrom hisrecent trip to the beaches of Santa Monica, California where he levitated Hollywood actress Rachelle Pettinato high above the sand.

Michael attributes his success to his large, yet very close-knit family. When he was growing up, his dad, mom, brother, and sister had more magic tested on them than most people see in their lifetime. To this day, whenever he performs large stage productions, family members from around the country travel to show their support.

Michael?s desire to entertain can perhaps be traced back to his grandfather, Anthony Grandinetti, who was known as “the movie man” in his neighborhood where he visited local parks with his projector and entertained the kids.

“I am constantly thinking about magic, 24 hours a day, seven days a week,” Michael said during the interview. “It?s really a never ending process, but one that I thoroughly enjoy.”

The effects of Michael?s magic can even be felt in Italy – he recently designed an illusion used in the Italian television series “Paolo Limiti” taped in Torino, Italy this spring. Michael is currently working on several brand new illusions that will debut in his show this year.

PRIMO is an up-scale Italian American publication dedicated to the celebration and preservation of Italian American traditions and culture. It features food, wine, fashion and stories about the achievements people of Italian ancestry.

Check it out! Congratulations, Michael!

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Pavel — Incredible and Simple

Pavel: A Don’t Miss Lecture

I’m no bumpkin (although I play one on our local cable channel in “Bumpkin’s Buddies” — a half-hour celebration of bumpkindom with all things bumpkin) but I was amazed by the effects I saw and even more amazed by the simple solution.

The title of Pavel’s current tour is “How to Invent a New Trick.” In his hands, it seems almost too easy. After all, says Pavel, there are only so many effects in the world. As Arthur Buckley pointed out in his <iPrinciples of Deception</i, a magician can do a transposition, a vanish, an appearance, and so on. So how would someone of meager talent and very small brain such as me, ‘invent’ a new trick?

The master suggests and demonstrates how to use a previously invented method to accomplish a different effect. He demonstrated a method in his display of the rope through neck and then showed how that method could be used to accomplish so much more. There was no change in the secret, but the way the method could be used made each of the subsequent effects seem new and unrelated to the first.

Pavel passed a long great advice for folks like me — maybe you too — who try to invent tricks or derive methods just to fool magicians. After all, your lay audiences have no idea whether you’re forcing a card, or using a forcing deck, or just doing a card trick. Chances are the audience will never imagine that you are taking no chances and have used an one-way deck.

Pavel and One of Several Amazing Ring Tricks

The man has a point. I can classic force with the best of them (meaning I’ve got about fifteen outs when I miss) but if I really need to have a particular card selected I drop back to the cross-cut force we all learned in our first read through a magic book. Pavel would say we should accomplish what we need to accomplish in the simplest method. We don’t have to make it harder than it needs to be.

In fact, most of his effects used very little sleight of hand. When sleights were used, they made sense and seemed natural. There was nothing shown that couldn’t be learned — that’s quite a contrast to some of the more sophisticated finger-flickers’ lectures I’ve paid to see.

I came to see his rope magic and he did not disappoint me or the rest of the jam-packed audience. (There was only one seat left to be had and that was in the front row. I interrupted Pavel’s lecture to sit down and he was very gracious to offer to repeat all that he had done for my benefit — I think he was joking).

He provided a short history of how he learned rope magic and his basic principles of making a rope trick. A rope is either gimmicked or not. But to the audience, there is no difference. You should, then, use the method that allows you to present the effect cleanly and allows you confidence in your presentation.

I had a chance to speak with Pavel during the intermission. This is a man…
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