Korean Paper: Genius in Children Evident in Magic

 

Scene from Lotte World Magic Parade

The Korean JoonAng Daily reports this morning the label of genius is too often applied solely to those with skills in mathematics or music. There are, say the scientists who should know, geniuses amongst us in possession of varying skills but with that sufficient special something to categorize them as “geniuses.”

Consider the athlete with skills on par with Michael Jordan or Tiger Woods, say the scientists. How about those who love to paint, or write juvenile ramblings on a web page dedicated to, say, magic? (Okay, we added the one about painting).

Magicians can be geniuses too, you know. In fact, the paper offers the example of 13-year-old Hong Jin-seok. Like many boys and girls, he became interested in magic and hoped to one day perform in public. His mother hoped it was a fleeting interest and soon he would return to his school work and other pursuits.

“Later on, she cried as she watched her son, a primary school student; perform passionately in front of thousands of people. She felt her instincts were telling her that it was his destiny, although he was only a child.”

Starting at about the third grade, Master Jin-seok studied, practiced, ate slept, magic. You could see why his mother was worried. Kids need diversity in life — if he studied magic all of the time, what would become of him? How would he meet people in the real world? Where would he derive income sufficient to feed his family? Would any woman worthy of marrying into the family be interested in someone who lived only for magic?

Again, we are recalling conversations from our own family. It is entirely likely Master Jin-seok and his mother did not have this very discussion and if they did, it was probably in Korean.

Last summer, Master Jin-seok competed against the big guys at the beautiful Lotte World Magic Festival in Korea. Inside Magic’s good-friend and supporter Sergey Korbalev had a successful and lengthy engagement at this very theme park.

In the parlance of Professional Pancake Breakfast Workers, Master Jin-seok was “bubbled-up and ready for flippin.”

He received a special award for his innovative work. Unlike many young (and older) magicians, Master Jin-seok makes his own props and eschews store-bought items.

“I often stayed up until two or three [in the morning], not to practice but to make props.” says Master Jin-seok.

Despite his mother’s worries, Master Jin-seok is proud to report he is actually a very good student. He was elected class president and has performed well in classes.

The article ends with a touching scene:

“[Master] Jin-seok said to his mother, ‘Please support me,’ and ‘There is nothing but this in my life,’ so she finally acceded to his wishes and became a full-time sponsor. Asked about his aspirations, he did not say, “I want to become a magician like David Copperfield,” but instead he…
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The Amazing Johnathan Leaves Riviera for the Sahara

 

The Las Vegas Review-Journal reported a story that brought back fond memories for us here.

A while back, Inside Magic reported on the comings and goings at the Riviera Hotel and Casino in Las Vegas. You remember, don’t you? Dixie Dooley was losing his space at the hotel and another family of performers was discussing whether to stay.

The point of the article way back when was to note the incredible pressure upon magicians (and other acts) to “cover their nut” in the high-stakes world of “four-walled shows.”

Is it coming back to you now? Remember we talked about the Amazing Johnathan’s move from Downtown to the Riviera where he had a one-year contract essentially subletting a four-walled theater?

Well, it’s amazing how fast a year goes by. AJ is heading down the strip to the beautiful Sahara property and not looking back.

Why? Can’t he, like, you know, keep a job?

Imagine you were living on your own, your parents didn’t send you rent money, you barely made it by dancing on street corners and by pretending to eat Drano washed down by Windex. Now, imagine people liked you, they really liked you. They told their friends about you and soon, you had entire rooms full of people screaming your name, laughing at your jokes before you even say them, worshipping your creativity, trying to touch your hair when you were at a stall in the men’s room. (The last one may be unique to us — the point is made, though. You’re a hit!)

Now the man that rents the street corner from the real man; you know, The Man, gets jealous. The landlord doesn’t have to pay anymore for the street corner — some would say it wasn’t much of a street corner until you came along and stapled playing cards to the face of a beautiful and hysterical comedic psychic.

The landlord says, “Hey, love your act. I love it so much; I’m going to double your rent for this year.”

You say, “no way!”

The landlord says, “Way.”

You’re bumming. You are making more money because more people are coming to see you but that’s just paying for all the high-tech black art gear and advertisements.

You say to the landlord, “Dude, why would you go and do this to me? I’m pulling in tons of traffic past your other shows. That’s good all around. Don’t you care?”

Penny “Psychic Tanya” Wiggins

The landlord puts his Phillies Blunt out on your assistant’s blonde head.

“That’s just the point. You’re taking away from my crowds. They’re coming here to see either your show, Crazy Girls, or An Evening at La Cage. They decide to see your show and so my shows suffer. I know I don’t have to pay much for costumes to either of the nudie, adult extravaganzas and the music is all pre-recorded, but still, I have to…
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