Guy Tussle Helps (?) a Young Reader

cheerleader-surprised Guy "Bug" Tussle is more than a great magician and friend of Quinlan’s Inside Magic, he is also a tremendous historian on all things Magic.  His Henderson, Nevada townhouse is filled with books, magazines, pamphlets, and posters related in any possible manner to Magic. 

When we are stumped with a question from one of our readers through ask-tim@insidemagic.com, we send it along to Mr. Tussle.  He usually finds the obscure to make the past come alive.

We thought he was stumped on this one from Julie DeWitt of Macon, Georgia.  By the way, we did not send Mr. Tussle Miss DeWitt’s real address based on lessons learned from past "misunderstandings."

 

Dear Ask-Tim:

This is going to sound like a weird question but here goes. 

I am new to magic but have been doing performing for years in school drama clubs and even two local community plays here in town.  I was lucky to learn hand-eye coordination from baton twirling and Diablo juggling and things like that but not magic like a magician does magic. 

Then I read a book at our local library about magic and it told the trick the audience would see, and then it told you how to make it, and then it told you how to do it. 

I learned a lot of goods one from this book.  I didn’t a library card because I lended it my step-brother and when he broke up with his girlfriend she kept it because he took the ring back.  I guess you could say they were more than boyfriend and girlfriend, right?  LOL.  Anyway, I wanted to copy the page that should have had the method and the things to make the trick I readed at the library but when I went to the page it wasn’t there.  Somoeone had ripped-off the page. 

I knew that the page that was missing was 61 because the one that was left was 60 and 63 so it must have been 61 on one side and 62 on the otherside.  The book only had a little piece of paper left from the page.  Here is what its said.  "an imbecile has as much chance to win as the most intelligent of man; he is only required …and utter one of the magic phrases . . ."

I should have copied down the name of the book but I didn’t because I thought I would be coming back to the library but then we had a flood in just part of the library and wouldn’t you know it? You guessed it! It flooded where the magic books where.  They had to send them off to get rebound and it will be months before they get them back. 

Can you tell me what trick this is and what the rest of the page says? 

Thank you.

Julie DeWitt.

======

We were stumped.  We cursed Ms. DeWitt for not taking better notes when she saw the book in the first place.  We wondered why this trick meant anything to her; because it said "imbecile" and "utter one of the magic phrases?"  Frankly we were not keen on bugging our good friend Mr. Tussle with this one.  He is assembling his new routine for a six month gig at the soon to revamped Del Lago downtown. 

We figured we’d send Julie’s very vague question to him and tell him he could blow it off if he didn’t have time. 

It turned out he had time on his hands because the Del Lago management wanted him to four-wall a room that wasn’t even built-out yet.  Mr. Tussle has no problem paying to rent a room to bring in an audience but he felt it was unreasonable to contractually obligated to a six month lease with no word on when or how it would be built. 

So here’s his response.

======

Dear Miss DeWitt:

Thank you very much for the question. 

I have to admit it is a very strange question — I wonder what intrigued you about the trick initially.  Do you recall what type of trick this remnant described? Was it a card, coin, silk, bird, or something else that vanished, multiplied, appeared, changed in shape or color?  Was it an escape trick? 

First let me commend you on your interest in magic.  Ours is a wonderful art and though I do tire of those who would jerk around a performer through arcane contract negotiations that come down to "we win / you lose," I wouldn’t trade the job for any other.

Learning magic from a public library is a great start.  I learned that way as did many of my fellow Vegas-regulars.  You need, though, to find a mentor to help you make the next step to develop your skills and to practice with purpose.  There is nothing to be gained if you refine your skills but your skills are not important or impressive. 

You don’t mention how old you are but from the looks of the picture you included with your email, I am guessing (hoping!!) you are more than 18 or could at least pass for someone old enough to vote. 

I think — based on the intelligence of your question and your obvious talent in Baton-Twirling and apparently Cheerleading, not to mention acting, you have a bright future ahead of you should you ever want to make your dreams come true and move to the real city that never sleeps.

Now to your question.  I went through every book I could find that had a page 61 with any reference to the description of a trick’s method.  I am afraid the results were not very helpful but perhaps they will ring some bells in that pretty little head of yours. :)           

Each of the following will refer to the text found on page 61 of books in the Magic section of the Clark County Library here in Las Vegas.  (By the way, we have never once had a flood in any section of the library).

101 Best Magic Tricks, Guy Frederick (New York: Bell Publishing Co. 1966)

Trick Title: Magic Hair Ribbon

Trick Description: A hair ribbon is cut into several pieces and these are dropped to prove the ribbon is really cut.  You then restore it. 

Common Words with Subject Text: .  "an"  "has" "as" "much" "most" "required" "magic"

Probability of Match: 13 percent

 

More Self-Working Card Tricks, Karl Fulves (New York: Dover Publications 1984)

Trick Title: The Clueless Card Trick

Trick Description: Each of two spectators chooses cards from a single deck.  The Magician then chooses two cards which prove to be the same cards chosen by the spectators. 

Common Word(s) with Subject Text: .  "the"   

Probability of Match: 23 percent

 

Those were the two closest matches I could find before the library closed. 

I went home to my really well-built bachelor pad, worked out for a while and thought about you and your needs. 

I got on the computer and thought I could try to find your IM address to ask you more questions to narrow the quest but apparently you aren’t listed because you don’t want to be or because the laws of Georgia and/or the US do not permit someone of your age to be listed on the IM list available to internet users from the Las Vegas area. 

I am hoping it is the former and not the latter — obviously.

So I decided to take your clues and look it up on Google.  Now, we were getting somewhere.

There is an almost dead-on match at The Cub Reporter web site.  Unfortunately, it has nothing to do with magic or hair ribbons.

You can find the same match — almost word-for-word — at a page in the UK featuring vulgar slang words here.  And while there was a discussion about hair ribbons there was no discussion of a magic trick.

I found a great site that deals with important issues but no magic tricks at all.  It did have the exact phrase.  Modern Drunkard is one of my favorite magazines and who knew they had a web site.    

But these were web sites and not books. 

I was in my little library — if you know what I mean — and I was browsing through my first editions of various literary magazines and gambling books. 

There on page 61 of the eight edition for Scarne on Dice, John Scarne (Hollywood: Melvin Powers Wilshire Book Company 1980) I found your exact phrase.  That was the good news.  The bad news, it had nothing to do with a magic trick.  It was just an introductory passage for "Chapter Five: Scarne’s Correct Odds on Craps."

How ironic!  I mean, what are the odds that I would find that and that you would find me?

I checked Google’s book search facilities but this edition is not on-line.  The only way I would have found it would be to put down the literary journal I was thumbing and pick-up Scarne.

Given the coincidence or fate, it seems like we were meant for each other.  Send me your address so I can wire you money and a plane ticket (First Class) to visit Vegas.  If you don’t mind, can you also send me a better copy of the cheerleading photo and a clear copy of your driver’s license? 

Another mystery solved!!

See Y’all Soon?

Guy "Bug" Tussle
Professional Magician

Continue reading Guy Tussle Helps (?) a Young Reader

Sammy Smith: Trevor Lewis Makes Rare Visit

trevor-in-color
We received word from the one-and-only Mr. Smith
of a great event set for August 25th.

Trevor Lewis, like Mr. Smith, has invented effects you
probably use in your act already.  Mr.
Lewis is the author of Party Pieces, More Party Pieces, Still More Party Pieces, Further
Party Pieces
, Favorite Party Pieces,
and Final Party Pieces

His titles may be unimaginative, but the contents within is
anything but.

Mr. Lewis doesn't tour often and even more rarely here in
the States. 

He's come this far, it's up to you to meet him at least
half-way and attend his upcoming lecture. 

Mr. Smith writes:

A rare U.S. appearance by one of the
legends in magic and comedy!

Trevor Lewis will charm and delight
you as he performs and teaches some of his most amazing magic. You'll laugh and
learn as he shares his favorite routines, including hilarious children's magic
and astonishing routines for adults.

Don't miss your chance to see one
of magic's masters while he's on this side of the Atlantic!

Make sure you're at the beautiful Trinity E. Free Church at 890 Abrams Road, in
one of our favorite towns, Eustis,
Florida. 

We suggest you buy your tickets today not only because it's
cheaper (only $20.00) but your early purchase will assure you a seat at the one
lecture you do not want to miss.  These
compliments are made often but rarely accurately.  On the other hand, Mr. Lewis is a man of rare
intelligence and ability for whom compliments fail to convey his worth to our
greater Magic community. 

Tickets at the door only $25.00 but please call in advance
to make sure you don't get shut-out. 

To register, call 1-800-810-0722 or hit this link.

You can also find the registration information at Mr.
Smith's always incredible web site

Please realize we are basically shallow, insecure, envious, and
less-than-noble. 

So it takes a great deal to admit someone has a web site we
consider "incredible." 

His coding is accessible to all browsers, the images are
clear, the tips, tricks, books, and other information give a holistic portal to
know Mr. Smith. 

If you're a client looking for a magician, you can't help
but notice that Mr. Smith is a magician among magicians. 

He has not only invented magic, promotes magic, writes about
magic, and is well-known in magic, but he also comes across as a real great
guy.

We love the approach. 

In fact, we'd do the same with our site. 

Unfortunately we are at best a one-trick pony — and some
would argue we should be put down because we are lame – metaphorically. 

At least we hope it's metaphorically.

Thanks to Mr. Smith for passing along this great news. 

Get your own good news from Mr. Smith by
signing up for his
newsletter here
.

Continue reading Sammy Smith: Trevor Lewis Makes Rare Visit

FISM – Thursday

What a full day it was today! 9.00am sharp for another batch of stage competitors while Kevin James, Gazzo, Banachek, and Jeff McBride lectured, Juan Tamariz did a one-man show and the Cheating and Gambling workshop was presented.

Sue-Anne took copious notes as act after act appeared and the audience, though overly enthusiastic on Monday, had become much more fickle. Acts that were otherwise quite good seemed to have become "not good enough" for the FISM crowd and many dextrous displays of skill were greeted with courtesy applause. The second last day is not a day you want to be in the stage comp… on the other hand it was the last day of the close-up comp and the crowd there was really in the mood for magic. We saw every possible extreme from outstanding performances to disqualifications.

Stevie Starr followed the close up comp and word must have spread as his show was packed out. After his success what will they have at the next FISM? Mr Methane? Puppetry of the Penis?

Our group got to see the Stage Gala Show while others headed off for a serve of the Close Up Gala. We were really hoping the show would be a winner because FISM needs a real boost right now… and that’s exactly what we got!

Frank Wilson provided music, energy and fun before the show (and during it too!) and Helge Thun as compere was superb. He opened the show assisted by Flicking Fingers and Friends by giving an hilarious pre-show safety demonstration before kicking it off with Jeff McBride (starting the show with Jeff? A bold move but it worked).

Jeff presented a selection of his favourites including his mask routine, lights and fans, the bowls of water and his astounding card manipulations.

Following Jeff Helge performed the sliding die box. Not only did he perform it, he sang the die box song too! I’d love to tell you about it, but it’s one of those acts you really have to see for yourself.

Marc Metral was next and almost stole the show with his ventriloquism. His act was supremely polished with a crazy lion puppet, two dodos, a talking dog, and four volunteers from the audience who became dummies and sang ‘Singing In The Rain’ with him. I say he almost stole the show because the audience was on the verge of giving him a standing ovation when he asked if they’d like to see one more. He created a rabbit puppet with a napkin which was very sentimental and cute, but changed the mood and resulted in a long and strong round of applause rather than a standing o.

Vik and Fabrini did their now legendary robot act. It was their first time at a FISM since winning first place in General Magic in 1988 (and they’ve been working non-stop ever since) and it was great to see the act live.

Mark Karvo closed the show with an absolutely classical bird act, very reminiscent of Channing Pollock, refined, dignified, powerful… just like you’d imagine a "real magician" would be. His final effect, producing a huge parrot that flew twice around the auditorium, got a big standing ovation.

After interval Helge performed a sketch with Topas which began as two duelling card magicians, then got very poignant as the two magicians began to teach each other, then became a pretty blatant statement of what magicians really do when they get together… again, you should have been there but it was a superb example of theatre and magic woven together with real thought, intelligence, and intent.

Jerome Murat was next with a beautifully artistic piece where he was a living statue with a floating head… that really doesn’t come anywhere close to describing the act. Why didn’t you come to FISM?

The Evansons performed their two person telepathy and it truly appeared to be real mindreading. Tessa told people phone numbers from their mobile phones, their middle names, the serial numbers on bills, and even the names of people in other people’s photographs.

Anthony Gatto stole the show (the juggler always does!) with his Las Vegas act which included juggling nine clubs. He truly brought the house down and, as Helge described him, he truly is a juggling machine.

Helge, assisted by Topas, presented his homage to an illusion performed by The Napoleon’s at FISM 1991 (I remember it too!). Topas managed to magical vanish from one cardboard box and reappear in another. However, Helge has taken the gag further and proceeded to do a backstage version of it which ended with the surprise appearance of Anthony Gatto in one of the boxes.

The final act was Peter Marvey with his unique illusions. The last time I saw Peter performing illusions was FISM 1997 and he was sensational. Now he seems to have become more ‘Vegas’ with flashy dancing girls and special effects. Personally, I preferred his old style. He did a boxless ‘Interlude’ and followed it up by emerging out of his own body… not as amazing as it sounds. Next he did his flying illusion which results in him visibly shrinking then growing again in full view. Again, I preferred the way he used to do it, this version seemed way too much of a production. He also did a weird igloo levitation that was hard to see because of way too much fog, and he did a flaming spiker of death which concluded with the production of three girls.

He was the right act to end the show because of the scale of his props, but he was also the act that received the weakest audience response.

Regardless, it was a sensational show. (If only we had another one like it tomorrow night!)

Continue reading FISM – Thursday

FISM, Arthur Trace, Old Spice and Boondoggle

Arthur Trace - The Man, The Magician, The Myth
We smell boondoggle and not the new body wash for men from
Old Spice; "Rough and Ready for Fun and Frolic on the Man's Dime" is
the slogan of that boondoggle.

The boondoggle we smell wafts over us from a high-flying jet
carrying a writer over to Stockholm, Sweden (that's Europe)
to attend the FISM conclave.

FISM boasts 2,000 or more magicians are in attendance and
have traveled from around the world. 

Why?

Magicians know why FISM rocks but to an Associated Press
Writer there had to be a hidden motive. 
It can't just be for the love of magic and the desire to steal tricks
from folks who will never appear in your home market. 

Stakes are high for the 156 top
magicians competing in the main event for best illusionist stage show and
sleight-of-hand routine: three top finishers are guaranteed contracts for
lucrative shows in Las Vegas, Paris
and Monaco.

"This is like the Olympics of
magic," said John Connelly of Seymour,
Conn. "If you win (the main
event) you're made. You'll probably make a million dollars."

Set for life?  A
million dollars?  Guaranteed contracts in
Las Vegas, Paris,
and Monaco?  We guess they can't write it if it's not
true.  But we know some FISM winners and
if they had the cool million bucks, they must have blown it during their
guaranteed contract in Vegas or Monaco. 

The writer is quick to point out FISM does not award cash
prizes.  The cash and fame come because
of winning.

We were very excited to read glowing reports of Quinlan's
Inside Magic Favorite Arthur Trace
of Chicago. 

The author compares Mr. Trace's hopes with those of a young
Lance Burton in 1982 when he wowed magicians in Lausanne, Switzerland. 

Mr. Trace has honed his ten-minute act over the last four
years.  Along the way, it was sufficient
to win the IBM's Triple Crown.  The
reporter uses does not seem to appreciate the certain je ne sais quoi embodied
in the routine: " a conceptual artist interacting with a painting while
balls and cards keep appearing and disappearing in his hands."

A love letter from the same reporter may read: "You are
not ugly and you have a job.  I like your
credit rating."

We prefer Mr. Trace's description: "I am both an artist
and an athlete," he said. "Magic is just like a painting. I use it to
say what I want."

The poetry of magic is again raised by Quinlan's Inside
Magic Favorite Dirk Losander
and contrasts with the pendantic writing of
the reporter. 

Reporter's version, "Dirk Losander,
the German levitating illusionist." 

Mr. Losander's description of the magic of magic, "It
is all based on the same secret. It is like there are only seven notes (in
music), but you can arrange them in different ways."

As Jeff McBride suggests "Magic is an international
language … It transcends all the language and cultural barriers."

We don't mean to pick on the reporter but we are jealous she
got to fly to Stockholm
to hang with the world's greatest magicians on an expense account.  On the other hand, we got let go from our
assistant manager's position at the 7-11 for suck-starting the plugged Slurpee
Machines. 

Good Luck to Mr. Trace!  We're behind you all the way!

Continue reading FISM, Arthur Trace, Old Spice and Boondoggle

Nate Kranzo’s Flood of Fine Free Features

Magic News Reader of Nate Kranzo
We understand there are people in this world who are not
magicians.  That is a lifestyle choice or genetic choice but we're not
here to get into that classic argument that divides entire populations of our
fellow practitioners.

We also understand there are folks who do not access the internet for any
reason.  Frankly we don't understand how these people exist or ever obtain
updated images of questionable moral value. 

But we do not understand how anyone who is a magician (either by choice or
birth) and who has access to the internet has not already signed up for Nathan
Kranzo's always outstanding newsletter. 

Frankly, that's deviate behavior that kind of eeks us out.   We normally don't get into people's personal
lives — unless they have provided updated morally dubious JPEGs or GIFs — but
c'mon, there is a limit. 


This
affirmative denial of the pleasure of learning from one of the top magicians in
the country for free or very reasonable prices defies common bounds of decency;
beyond the fetish or deviate fare that inundates the average internet
surfer. 

Check out what we received from Mr. Kranzo today.  Follow his links to the
web site
.  We won't give you the
answer to his shibboleth for entry into the Magicians
Only
section.  If you don't know the
answer, you don't deserve to call yourself a magician. 

We've written specifically about Mr. Kranzo's prolific
contribution to our craft and our complete willingness to steal much of his
nuances, patter, and clothing. 

The trick about he writes today is Tip Trey. 

We've seen Mr. Kranzo perform this several times.  It was/is for us the most frustrating
experience.  We were amazed the first
time we saw it performed, but even when it was explained — and explained very
well — we were still dumbfounded. We couldn't figure it out even when we knew
how to do it.

Are we alone in this type of scenario? 

Has anyone else felt a similar feeling about a trick?  You may have had the feeling when someone
taught you the magic of a stacked/memorized deck, or for us the classic
example, Tenyo's Silk Symphony. 

We understood how the records changed colors according to
the silk threaded through their center but could not figure out how on earth
one could remove the newly colored record with the silk still threaded through
the record's hole. 

It seemed magical, weird, scary and dangerous — but enough
about our foster-mother. 

Steve Beam is a much better magician than we could ever hope
to be or even know.  Mr. Bean gave rave
commendations to Mr. Kranzo's Tip Trey
and frankly that should be enough. 

Without a do, we present Mr. Kranzo's note to all of us.  Check out his site, visit his lectures, and
learn not only how to engage an audience and innovate new magic — but also how
to be a good person who genuinely cares about our art and the folks within.

God bless this man. 

From Nate Kranzo

Howdy Folks!

A brand new video clip as well as a new video instant download have
been added to my site.

The new effect is called Tip Trey and here is what Steve Beam had to
say about it:

"Proving that visual card magic doesn't have to be
difficult, Nathan attacks the suspended card effect in a humorous
way. Hang with me here and I think you'll find you have one of
those pleasant moments that simultaneously evokes laughter and
amazement."

 - Steve Beam

For more info click here: http://www.hismagic.com/?page_id=15

I'll speak to you soon!

All the best,

Kranzo

P.S. If you are new to this newsletter you may have missed out on my
free effect! Click here to go to my secret page and learn a killer
piece of magic: http://www.hismagic.com/?page_id=20

Visit Mr. Kranzo's site, check out his magic and sign-up for his newsletter today!

Continue reading Nate Kranzo’s Flood of Fine Free Features