Up-Close with David Copperfield

It is impossible to not read further after Lisa Bettany’s introduction:

I really wished I hadn’t sat in the front row at ’s “An Intimate Evening of Grand Illusion” at the Vancouver Centre for Performing Arts.

Hard to believe anyone would balk at choice seats to David Copperfield’s show.  Perhaps, some would be concerned they would become a magician-bait; the likely choice for “volunteer” or “assistant” status.

But Lisa Bettany’s reluctance came from her desire to remain in a state of disbelief.

Lisa notes that her perspective on the show would have been decidedly different just a few rows back.

She is certain a seat just a bit further from the stage would have kept her from seeing “the wires that controlled the singing and dancing tie, or the slightly concave bottom of the magical ‘shrinking table,’ or the girl that appeared and disappeared in the ‘reserved’ seat next to me wearing three different outfits, or Copperfield’s caked-on makeup and spray-on hair.”

Ouch. That was a low blow.

Despite the “low blow,” Lisa is a fan.

There were great moments, too. He is an incredibly skilful showman, and irritatingly charismatic, even when he made a poor girl shove her hand down his pants to make sure there was nothing in his pocket — not once, but twice. Charming.

Her vantage point did not expose all of the magic, however.  Lisa tells readers of The Province (CA) most of the illusions remain a mystery.

Readers can check out Lisa’s video blog of her evening with David Copperfield through The Province’s site.

Peter Reveen Profiled

Peter Reveen Featured

The Times and Transcript (CA) has a wonderful profile of an amazing performer, producer, and inspiration, .

The profile traces Peter “The Impossibilist” Reveen from his early beginnings in the circus sideshows of Australia to his current home in and about as part of ’s long-running show.

The paper included the feature in advance of Mr. Reveen’s scheduled run at Moncton’s Capitol Theatre October 26 and 27th.

What’s the secret to his success?  Peter Reveen says there is one golden rule that has carried him through a career in show business that has spanned nearly half a century.

“Keep the show clean. You won’t have people coming back if you keep throwing filth at them. We’ve always followed that rule and its never let us down.”

As hard as it is to believe, Mr. Reveen is 74 years-old.

He is in good health but needs his rest to keep up with the physical and mental demands of performing his legendary hypnosis show. Although the show has changed many times over the years, the premise remains basically the same.

Through the performance, Reveen brings volunteers from the audience to the stage, gives them a quick test and quickly evaluates their hidden talents. He then hypnotizes them and allows them to search for their own inner hidden talents. It’s a scenario he has played out thousands of times over the last 50 years in theatres all over the world, often with some surprising results.

Mr. Reveen easily resists the tendency of many stage hypnotists by always maintained a sense of dignity to the show, never asking the people to do anything lewd or “filthy,” unlike some other hypnotists who play to the darker side for a quick laugh.

“We don’t make fools of people.”

Check out the full article for a great review of Mr. Reveen’s formative years in Melbourne, Australia.  Whilst his dad was fighting in World War II, relatives brought him to vaudeville shows to see magicians, comedians, singers and other performers.

He loved watching the techniques performers used to “lure in the crowds, make their entrance and keep the people interested.”

That interest, obsession, eventually brought him to Canada with less than a dollar to his name.  Through his dedication to the craft and his maxim, Mr. Reveen became a star in his own right.  Read the article, however, to learn why he has an aversion to the title “star.”

Mr. Reveen’s abilities and philosophy have enhanced the success of Lance Burton.  He describes himself as “settled into the lifestyle of Las Vegas.”

A great and well-deserved profile of one our art’s best.

Mentalist’s Death Ruled Accidental

Jason Scott's Death Ruled Accidental

He was one of the original ten contestants on NBC’s Phenomenon “reality” show last year.

He performed for A-List Clients such as Steven Spielberg and Sting.  In July, Jason Scott Ogilvie better known as Jason Scott died in his Summerlin, Nevada home.

The young man’s cause of death was a mystery for months until Clark County Coroner’s Office ruled it was an accident caused by the mixing of OxyContin and alcohol.

Mr. Scott’s mother, Peggy Santana of Redding, Calif., spoke with Norm Clarke of The Las Vegas Review-Journal about the Coroner’s report and the events leading up to her son’s passing.

He had been ill after returning from a gig in Boston and joined his girlfriend for drinks the night he died.

He had about 10 beers and two pain pills, which were prescribed, his mother said. The coroner’s report found Scott had very low sodium in his system, a sign of dehydration.

“You just can’t mix alcohol and prescribed medication, especially if you are sick,” said Santana, a registered nurse. “This is just about the saddest thing I’ve ever dealt with. It’s so senseless.

“I bought him a magic kit for a Christmas present when he was 6. I don’t think he’s had another job (other than magic). He would never give in. It’s what he wanted to do.”

Mr. Scott’s success seemed almost guaranteed.  The Review-Journal notes the young performer left “a regular gig with the House of Blues to perform at the Playboy Club.”

His last performance was at a private party for Sting.

Houdini the Musical Loses Theater Before Opening

The Stage (UK) reports the much anticipated the Musical lost its home before it could even open.

The Ambassador Theatre Group (“ATG”) removed the new show from its Spring line-up “after an investigation revealed that the show was intending not to pay its cast and crew for rehearsals or performances at the Regent Theatre in Stoke-on-Trent.”

Houdini the Musical’s producers Shattered Nerve Studios Ltd were booked into the Regent Theatre for a week-long run in March 2009.  In anticipation of that premiere, the producers auditioned performers on “the condition that, if employed, they would not be paid for rehearsals and performances from January to March 2009 inclusive.”

The producers were quick to point out performers would be paid “if the show was successful and embarked on a national tour after its run in Stoke.”

But until the show was a success — or at least road worthy — performers would receive only “expenses, a one-off fee for a cast recording and pay for any outreach and education work they undertook alongside the show.”

Houdini would not have worked for free.  Even as a young performer he demanded $12 per week for 20 shows per day.  But then again, he did not sing. Continue reading Houdini the Musical Loses Theater Before Opening

Pure Magic Comes to New York

Eric DeCamps, in collaboration with Bob Fitch, brings his new show, Pure Magic – A Performance in Contemporary Conjuring to The Metropolitan Room every Sunday at 4pm beginning November 9th. The eight week holiday engagement runs through December 28th.

Broadway World reports:

“Mr. DeCamps was voted Magician of the Year by The Society of American Magicians, and is known for his ability to put a contemporary spin on conjuring.  He will do that in spades in this intimate chamber magic show that evokes the ambiance of a 1940’s jazz club.”

Mr. DeCamps promises “conjuring at breathtakingly close quarters” featuring “several  rarely-seen sleight-of-hand effects.”

Mr. DeCamps’ show will pay tribute to René Levand the legendary Argentinean magician.  He also intends to perform The Spirit Box utilizing “an invention of Ira and William Davenport, the 19th century pioneers of Spiritualism, as its point of departure.”

Mr. DeCamps tribute to the great one-armed magician Mr. Levand performs the elder’s classic, Bread Crumbs.
Continue reading Pure Magic Comes to New York