Inside Magic

We
are so honored Robin Dawes granted Quinlan's Inside Magic permission to
publish his complete review of this years F.F.F.F. An edited version of
this report was published in the most recent edition of The Linking
Ring.

NEWS FROM THE FRONT: In April, Brigadier General "Ogre" Obie O'Brien
launched a major offensive in the War on Magical Mediocrity.  Like
the canny campaigner that he is, he invited the best and the bravest
from around the world to muster in Batavia NY for an all-out attack on
the boring banalities of bland box-tricks.

(For the record: we're talking about the 2006 Fechter's Finger Flicking
Frolic, April 26 – 30, the Original Close-up Magic Convention, by
invitation only.)

The battle began on Wednesday night with a surprise bombardment: Dutch master Flip Hallema
presented a lecture of clever, creative magic that rattled the dust out
of old assumptions.  His range included light bulbs, coins,
origami owls, wine glasses, ropes, flutes, and wallets.  One of
Flip's messages: with competent choreography and attention management,
objects can often be convincingly vanished by the simple expedient of
dropping them in your pocket. 

After this first assault, a reconnaissance if you will, had tested the
enemy's defences, the battleground was quiet.  But behind the
scenes, throughout the seemingly somnolent hotel, Obie's army was busy
polishing its weapons … err, routines … preparing for the onslaught
that the new day would bring.

By morning, there was keen anticipation in the air.  Word had
circulated around the fox-holes that Obie was bringing in a famous
warrior whose absence from recent FFFF conventions had been sorely
lamented.  Sure enough, at 11 AM the curtain went up on J. C. Wagner's
lecture.  J. C. got the troops fully motivated for battle with a
solid lecture on his own versions of some of the classics of card
magic.  This lecture struck another hard blow against the forces
of dull magic, by reminding recruits and veterans alike that there is
no need to abandon tried and true effects, so long as they are polished
and practiced to perfection.

J. C.'s lecture was followed by a training session with "Raging" Roger Klause,
leading an elite troop of instructors in armed and unarmed magical
combat.  Roger himself taught us new insights into the "card to
impossible location" plot, one of the most powerful effects for the lay
audience.  The other teachers were Professor Rem, teaching reverse mentalism, Thomas Fraps, alerting us to "Pips Disease", and Jörg Alexander
with a very clever bill-counting routine.  Thomas and Jörg are
members of the internationally renowned squad "The Flicking Fingers",
famous for their many attacks on magical mediocrity.

By now it was clear that the battle was off to a good start. 
Early territorial gains had been made, and the broad outlines of Obie's
battle plan were becoming clear.  The assault on weak magic would
proceed on two fronts: innovation and discovery on the one hand, and a
solid understanding of the classics on the other.

Now that the beach-heads had been secured by Flip and J.C., and
Roger's Raiders had staked out some forward positions, it was time to
bring up the troops.

Under the guidance of MC "Monster" Mike Hilburger, the first wave hit the ground running.  Joan Caesar,
president of the Canadian Association of Magicians, located both a
borrowed ring and a chosen card (as many people were heard to say
during their own performances "simultaneously and at the same
time").  Next up, the witty and urbane Mark Leveridge showed some odd pencils that seemed to grow and shrink on command.  Terry Lunceford left his viper at home, and performed a very impressive levitating deck.  Roland Meister,
my good friend from Switzerland, breathed new life into the classic
Slydini Silks and Knots, and ended with a graceful performance of the
Linking Rings.  The crowd responded very positively to this poetic
magic.

Roger Miller, IBM president, was next, presenting a miracle with two coins.  Roger was followed by Bill Nagler, who described the history of the Berglas Effect and then proceeded to perform it.  My Canadian compatriot Patrick Drake
followed with a well-connected series of effects that concluded with
the startling production of a ring which we had all believed to be
securely tied to a rope sitting on the other side of the stage. 
Closing out this advance squad was the sublime Swami Salami, aka Jim Cielinski.  The Swami performed some unbelievable mentalism.

As the first squad rested after their mad dash up the beach, the second company advanced under the leadership of MC "Madman" Meir Yedid.  Taking the point position was Tony Gerard with a very unusual routine called "Braille Lip Reading".  Tony credited the great Karrel Fox with this idea.  Dave Weidemer rode shotgun with a two coin transposition routine.  Harold Cataquet followed up with a button matrix routine that ended with the buttons sewn in place!  John Born kept up the energy level by discovering a chosen card at a chosen position in the deck.  Veteran Phil Messina did a very interesting prediction routine using a deck of cards and some glass beads.

Next in line, Satoshi Onosaka, son of Ton Onosaka, showed us the latest idea in restaurant ordering: sushi mind-reading.  Jean-Luc Dupont performed a rope routine with very funny patter ("knots" sounds different with a French-Canadian accent).  George Olson presented a mystery with coins and a brass box.  Josh Rand was able to identify selected cards by riffling the edge of the deck.  Michael Tallon performed an unusual effect in which he was able to discern the value on a die rolled inside a coffee cup.

Bill Abbott, a FFFF freshman but experienced Canadian
commando, introduced us to his secret weapon, "Chico the Mind
Reader".  Chico was an hilarious monkey puppet with more character
than many live performers.  The serene Shigeo Futagawa performed a sequence of elegant magical effects with coins.  Rounding out the troop was Drew DiConstanzo, with a strong multiple card selection routine.

After mess-call, Obie launched a flanking attack on the enemy.  The convention's Guest of Honour, Aldo Colombini,
came out of left-field and gave us a lecture that dealt a swift series
of body-blows to the domain of dull magic.  Aldo used mentalism,
card magic, rope magic, sticker magic, hole-punch magic, and his
inimitable comedy to leave the troops invigorated and ready for the
next day.

When reveille sounded on Friday, the battalion mustered to witness
a virtuoso display of magical teaching by an all-volunteer squad, led
by that wily veteran of a thousand battles, "Punisher" Pat Page. 
The only rule of engagement for this workshop session was that all the
magic must use every-day items.  Pat fearlessly led his troops
into the fray with the production of a large, full bottle from the
sleeve of his jacket, and another from the sleeve of an audience
member's jacket.

Gene Gordon was next, doing transposition effects with pink and blue sugar packets.  Gene was followed by Keith Randall, who taught us how to produce a full pop bottle from a flat, empty bag or envelope.  The one and only Ali Bongo taught us a very strong mental routine in which a borrowed bill's serial number is divined.  Mike Powers introduced us to a totally impromptu demonstration of telekinesis using a plastic straw.  David Neighbours, the ninja of coin magic, taught us a transposition effect using two borrowed finger-rings.

Pat Page returned to rally the troops, and taught us how to produce a large dinner plate from our knees.  Roger Bernheim
gave a very clean presentation and explanation of the "paper dots on a
knife" routine – it is easy to forget how magical this looks, until you
see it performed.  Flip followed, with a thorough explanation of his clever method for vanishing a large glass under a silk.

Ali Bongo came to the front again, this time teaching two
fascinating effects using an impromptu coin tunnel made from a folded
post card.  George Silverman taught us a very deceptive penetration using two folded drinking straws.  Tony Wieland taught us how to balance a coin on the edge of a borrowed bill – very useful for winning bets down at the canteen.  Pat Page
proved that he could open and close any show, by doing just that. 
Having led the charge, he provided his workshop company's closing note
by teaching us a very elegant Miser's Dream routine.

After a short break to reload, an elite team of mission specialists took the field: the Flicking Fingers
from Germany.  Was it a lecture?  Was it a show? 
Sometimes one, sometimes the other, and sometimes both.  No doubt
any infiltrators from the forces of pathetic prestidigitation would
have been notably nonplussed.  First, Ben Profane set the pace by juggling a bowling ball, a large knife, and an apple.  Then the smiling Nikolai Friedrich
performed some extremely strong mentalism, including an effect in which
he correctly identified which of a dozen volunteers was holding behind
his back an envelope containing a photograph of Roger Klause's
wife. 

Pit Hartling performed a card effect for a pair of slightly inebriated bar-patrons (played by Helge Thun and Thomas Fraps) who insisted on explaining the trick loudly to each other.  Manuel Muerte performed a very funny act as a slightly manic magician with a penchant for shooting his livestock.  Stephan Kirschbaum followed with a routine involving a silk and a purse and a rose.  Jörg Alexander performed a very clean "follow the leader" type card trick.  Helge Thun delivered a sex education lesson illustrated with the cups and balls.  Finally Manuel, assisted by the somewhat confused Ghisbert, performed the silk-to-egg routine, complete with slow-motion replay.

By this point, the troops were getting excited.  The assault on
humdrum hocus-pocus was stronger than anyone had expected.  Could
this momentum be maintained?  Could we muster enough powerful
prestidigitation to push back the Borings for good?

Answering the call, MC "Dashing" Dan Garrett led his company of brawlers into the fray.  Nicholas Anthony
commenced the action with coin manipulations and a strong card routine
that he credited to Guy Hollingsworth (Ambidextrous Interchange). 
Joe Farina asked Howie Schwarzman to name his favourite
four of a kind … Howie's answer cannot be given here … then Joe
proceeded to amaze us with the acrobatic abilities of the cards in his
deck.

The extraordinary Spanish magician Willy Monroe took the stage by storm with his yoyo and balloons.  Speaking only Squeekish, Willie had the crowd enthralled.  Cody Fisher induced the audience to name the one card that was secretly reversed in a shuffled deck of cards.  Kainoa Harbottle did a fine presentation of the linking rings, and a strong coin routine.  Adam Spigel performed the classic Hotel Mystery with cards.  Luis Otero of Venezuela transformed a card to a bill, then did a card matching routine.  Then Michiaki Kishimoto took off in a completely different direction with an animated drawing routine that clearly had Gene Anderson's Cardiographic among its inspirations, but added several new ideas.

Brian Geer performed a fine egg bag routine, ending with a glass of water from the bag.  Then Henry Holava performed a cups and balls routine with three different-coloured sponge cubes.  Next up was Bill Houston with a strong act that included a version of the Hanging Coins.  Todd Nelson followed with a coin-in-bottle routine using a small cosmetics bottle.  Closing out the battle-line was France's Julian Fombaron,
easily the most noticeable person at the convention.  Julian
presented a well connected set of effects with coins, cell phones,
cigarettes, and cards.  His illusion of embedding a cigarette
lengthways in a playing card was very impressive.

Friday evening brought the Generalissimo himself back to the stage, as Obie O'Brien took over the mike.  First on deck was Vic Trabucco, the Zen master of coins.  In his hands, magic just unfolds as the natural way of the universe.  Patrick Pryzsiecki regaled the multitude with the tale of Rindercella.  Andrew Murray
presented an astonishing routine in which he named some cards and
audience members were asked to choose locations in the deck.  The
cards were found at exactly the chosen locations.

One of the Flicking Fingers, Helge Thun sang extremely
funny original songs about magic and magicians while performing an
inverse die box routine – instead of making a die disappear, his box
kept producing more and more large dice.  Being funny in your
mother tongue is hard enough – to be hilarious in a second language is
a great talent.  Helge received a standing ovation.

Garrett Thomas, whose "Ring Thing" is deservedly popular, did a fine set that included producing a solid billiard ball from his wallet.  Reed McClintock,
looking fit and trim, demonstrated why he was selected as the 2005
MVP.  His act included strong audience participation and ended
with a very magical Miser's Dream.

As a side note, I later had the pleasure of spending a few hours discussing the role of magic and magicians as artists with Reed McClintock, Marc DeSouza, Willy Monroe, Paul Critelli, Jörg Alexander,
and several others.  This informal debate was one of the
highlights of the whole convention for me.  Reed made a
interesting distinction between "doing magic" and "being a magician"
which was very thought-provoking.

Getting back to the performance, Reed was followed by Nicholas Einhorn,
with an excellent set that ended with a Star Wars prediction, using the
names of magicians … yes, the prediction was "Obie-Juan-Ken-Obie".

David Regal did a killer prediction: a deck was shuffled,
cut, dealt into piles, all by volunteers, and finally reduced to a
single card … which matched a long banner that David unrolled. 
David promised to explain this in his lecture the next day.  Steve Dela performed a very graceful card manipulation routine, and did the cups and balls to music.  Flip followed Steve, with a varied act in which my favourite effects involved a long rope and a short rope ring.

Next up was the inimitable Ali Bongo.  Mr. Bongo presented an extraordinary "psychic sausage-chopping" routine.  Ali was followed in the battle-roster by Mark Mason,
who Obie correctly describes as one of the all-time great magic
demonstrators.  Mark's table in the Dealer's Room is where a lot
of the cool people hang out – he always has something new to teach,
above and beyond the great stuff he sells.  Mark performed a
version of 3 Fly, and then did an unique Ambitious Card routine that
culminated in dozens of cards magically appearing on the back of his
jacket.

Completing Obie's squadron was Gaston, another of the
Flicking Fingers.  Gaston told us of his magic addiction, from his
first exposure in the school-yard, through the dark days of tearing and
restoring paper napkins, to his final redemption.  The magic was
strong and the presentation was very funny.

With only one day to go, you could feel the tension in the
air.  So far, Obie's army had suffered no setbacks – the forces of
mediocre magic were in full retreat.  Could the trend possibly
continue?

It could.  It did.  Saturday saw the build-up to the last big push.  Setting the pace was the 11 AM lecture from Helge Thun. 
This turned into a three-effect lecture, because each of the three
items taught had so much meat and generated so much discussion. 
First, Helge taught us a routine in which a borrowed $10 bill is found
in a deck of cards, wrapped tight around a previously selected and
signed card.  The second routine was the cups and balls, which
Helge had performed earlier. 
This was filled with creative ideas, such as using the popular Vernon
Wand Spin as part of a production sequence rather than as a vanish, as
is usually done.  His discussion of choreographing the final loads
was excellent.  Helge's final routine involved the four Kings
being signed, then jumping to his pockets and into a matchbox, with the
exception of the last one which jumped to the centre of a deck that had
been held by an audience member throughout.

David Regal's lecture was next.  David taught an
astounding number of effects: three cards chosen from a red deck
exactly matched the cards missing from a blue deck, he produced a deck
of cards from a flattened case, he helped a volunteer cut to the four
Aces, he performed "The Puppy Trick" (Ambitious Card), coins through
table, a version of Peter Kane's Jazz Aces, he crumpled up his deck of
cards, and he made a borrowed wedding ring translocate from one wine
glass to another (this effect completely fooled me last year). 
Then, with barely a moment's pause to slap a fresh magazine into his
M1, he was off again.  He taught us (and fully explained) some of
his marketed effects: Déjà Vu, in which the volunteer's named card
appears in an otherwise blank deck, Self Evident, in which the
volunteer chooses the only odd-backed card in the deck, Prophecy Pack,
which he had performed the previous evening, Pasteboard Massacre, in
which the cards really get cut, Special Delivery, in which a
selected card is seen inside an envelope, and Heading North, a very
clever rising card trick.  This was the final lecture of the
convention, and it left the audience with their heads buzzing.

There was no stopping Obie's army now.  The hunt was up, the
game was afoot.  The Saturday afternoon show was masterminded by
"Fighting" Phil Willmarth, the terror of the Linking Ring.  Matthew Episcopo
made his rookie appearance with a jigsaw puzzle of Field Marshall Obie
O'Brien, with one piece missing.  A volunteer was able to find the
one missing piece out a large clear bag of spare pieces.  Up next
was fellow first-timer Dan Trommater, demonstrating his "Matter
Transference Portal" which he used to pass coins through the table and
through a volunteer's hands.  Dan's presentation style was very
popular with the audience.  Following Dan was Britain's Martin Cox, who did a very impressive routine involving naming three free selections that had been honestly shuffled back into the deck.

Scott Miller performed a perplexing piece of
prestidigitation in which almost every word of patter began with a
plosive "p".  His effect involved a drawn figure jumping from one
card to another, inspired by a David Acer routine.  French
magician David Jade followed, with Steve Duperre
translating.  David performed extremely visual card magic,
including the gradual transformation of one card into another. 
After David came Paul Mims, with a romantic presentation of the Gypsy Thread.  Karl was followed by Randy Ryan, performing Cards Across with the assistance of Aldo Colombini and Rachel Wild. 

My good friend Joe Turner took the stage with a humourous
card routine in which he seemed always to have too many cards.  In
frustration Joe forced a silk scarf through the middle of a jumbo-sized
playing card … leaving it unharmed in the process.  The final
attack of the afternoon was executed by the great J. C. Wagner, who concluded the show with his outstanding bowl and balls routine.

The end of the battle was in sight.  It had been a long hard
struggle, with its share of triumphs and nightmares, but as we gathered
for the grand finale show, every man and woman (both of them!) there
knew that it all came down to this – the final push-through, the last
run-up.  Would our card-men's forces be strong?  Would they
maintain control?  Would the coin-workers run out of shells?

Before the last attack, Obie called everyone to attention.  It was time to formally recognize Aldo Colombini,
our Guest of Honour.  Aldo was presented with a wide range of
commemorative gifts, some of which left him utterly amazed.  Aldo
gave a brief speech of thanks, after which he received a standing
ovation, then without further ado, the balloon went up and the show was
on.  The cry went up and down the trenches "Over the top" … and
like this review, over the top we went.

Aldo led off with a strong multiple selection routine,
finding the last selection with his trademark double waterfall
revelation.  He was followed into the fray by Robert Jagerhorn of Finland, with a strong set of card magic.  Next up was Heinz (played by Pit Hartling),
who can only be described as an Uber-Nerd.  Heinz illustrated the
story of Creation, and performed a fortune telling card
divination.  Heinz has utter confidence in his own abilities -
confidence which is only sometimes deserved.

After we recovered from Heinz, we were treated to a performance by Bob Sheets, with the funniest rendition of the three shell game I have seen.  Following Bob was David Stone,
who started with the miraculous production of a coin from a bedsheet,
and continued with rapid-fire productions of cards, drinks, straws,
more drinks, and his shoes.

After David came Rocco.  Rocco's act is always
poetic, magical, and unlike anyone else's.  He made magic with
smoke, eggs, ice, popcorn, cards, lime juice, pearls, and bottles, to
name just a few of the things that appeared, transformed and
disappeared in his hands.

After a short break to regroup and clear the stage, the advance resumed.  Martin Eisele did an
incredible
matrix and reverse matrix with dice, at the conclusion of which the
dice visibly materialized under the cards.  The crowd responded
with a standing ovation.  Next up was Canadian Michael Robinson
with an hilarious ventriloquist routine.  Mike's little friend
kept threatening to kick Obie's *ss.  The audience loved them both
and gave them a standing ovation.

Oscar Munoz, suave as always, performed magic with
balloons.  Oscar also spoke movingly about how uplifting it was to
see magicians from all around the world coming together in troubled
times.  Rick Merrill, renowned graduate of home-school (top in his class!), performed an excellent multiple selection routine.  Johnny Hirose performed an intriguing set of magic that included money and card effects.

The show closers, the selected marksmen to fire the final shots in the assault on ho-hum hocus-pocus, were the Flicking Fingers,
en masse.  They presented a "multi-medium" show: mind-reading in
parallel by the entire squad, armed with paint-cans to create their
impressions of the volunteer's thoughts.  When Rachel Wild
drew a sketch from "The Works of Edgar Allan Poe", the Flicking Fingers
reproduced it in 9 separate parts, which had to be assembled by Ghisbert (in his moment of glory) to show the proper drawing.   And with that, the show, and the convention, were over.

After the smoke had cleared, it was determined by popular vote that the Lou Gallo MVP award should go to the Flicking Fingers (Reed McClintock was also presented with his award from last year).  Obie announced that next year's Guest of Honour will be Ton Onosaka of Japan.  The theme for Pat Page's workshop next year will be "Dinner Table Magic".

The grand battle ended in a total victory for the forces of creativity
and quality.  Throughout the convention, the twin themes of
innovation and renewal were explored and applied.  The buzz was
universal – this was one of the best FFFF conventions in recent
memory.  The demons of unimaginative, uninspired cookie-cutter
magic were chased from the field – at least until next year.

Continue reading F.F.F.F. 2006 Review from Robin Dawes

We told you last week about Cameron
Fisk – the rising star and recent winner of the Pacific Coast Association of
Magicians ("PCAM") Gold Medal
Children's Magic competition.  We
were astounded to learn he was a mere lad of 19 and yet was able to not only
hold his own but win against professionals from around the Pacific
Rim. 

We asked if he was man enough for
the grueling Quinlan's Inside Magic Celebrity Interview.  We warned him that we wouldn't let up on him
just because of his young age or well-deserved celebrity.  Our awkward, pointed, and insinuation-laden questions
would open a Hot Pocket of microwave-prepared steaming intimidation on him. 

Youth, it is said, will be
served.  We have no idea what it means
but when we got to talking about Hot Pockets, we got hungry.  Perhaps he is foolhardy or brave, but he took
up our tossed gauntlet and submitted to The Process. 

The transcript of the session
follows. 

We've made only one change: Mr.
Fisk improperly identified the breakfast cereal "Kellogg's Frosted Flakes"
as "Frosted Flakes."  We are
loyal to both trademark law and all who manufacture products within the great
state of Michigan.  We had no choice but to change the raw text.  

(See, Kellogg Company v. Exxon
Corporation, 2000 FED App. 0123P (6th Cir. 2000) Kellogg has a valid
and trademark registration for Kellogg's Frosted Flakes for "cereal-derived
food product to be used as a breakfast food, snack food or ingredient for
making food"). 

Make sure you check out his great web site here.

 

How long have you been performing Magic?

I started, like most magicians, when I was very young,
around six years old.  A simple very
unimpressive little cut and restored rope trick got me interested.  It finally gave me a reason to cut up my
shoelaces!

 

How did you come-up with the Mac
Backwards character?

Mac Backwards came out of a play on my name.  Being a computer nerd for a few hours a day I
found myself on MSN Messenger a lot and eventually got tired of calling myself Cam all the time when everyone else had different
names.  Mac Backwards just sounded cool
at the time!  When I started thinking
about how I should distinguish my kid's shows from the rest of my magic I knew
I needed to have a character.  Mac
Backwards just stuck!

 

What is he like?

Mac's pretty much just me, but more.  You hear other magicians talk about how to
build a character and etc. but why bother with that when you're already a
character!  Mac is just Cam,
but with a little more energy.

 

Why is he popular with kids and adults?

I believe that a huge draw is the fact that both Mac and
myself are fairly young still.  All of
the magicians I know around here that perform not only at children's events but
at other ones are over 25 or 30 at least. When people find out I'm only 19 it's
not so much of a negative thing as it is a positive because I'm closer to the
kid's age and I know how to get to their level.

 

Who were and are your influences?

I never really was influenced by any specific people.  Growing up in magic by myself, until I found
the different organizations, was interesting because it forced me to pick up
and learn a little bit from every external encounter with magic I got.  Thus, there have been many who have helped me
so far!

 

How is performing in a contest different
than performing for lay audiences?

In a contest you have criteria that you need to meet.  Every point counts so you need to develop a
routine that covers all the bases of the judging sheet.  You'll end up doing Nickles to Dimes with an
Ammar Coin Clip, an obscure Angle Palm, and a dove split just to get those
Technical Skill points.  It's a lot of
fun though, it pushes you to think a little harder about what you do.

 

Do you have a favorite type of magic to
perform, to watch?  Are they the same?

I love watching all good magic.  I've found over the years that bad magic's
pretty lame.  That said, deep down I have
a bias towards close-up magic.  That's
what I started with and I enjoy being able to connect with a few people up
close over a cup of magic.

 

What's next for you?

I'm hungry so I'll probably grab some (Kellogg's) Frosted
Flakes.  Magic-wise I never know for
sure, I'm still a young punk so I try not to look too far ahead.  Right now it's about performing as much as I
can and doing a killer job!

Continue reading Quinlan’s Inside Magic Celebrity Interview: Cameron Fisk

Tim Ellis and Sue-Anne Webster attended the FISM; each with
a different role.  Mr. Ellis served as a
judge and Ms. Webster provided an outstanding review of virtually every act in
the competition. 
We've included a few of her reviews here but the full list
can be found at their outstanding web site here .
Ms. Webster is more than a great writer, she is a very
honest reporter. 
Her article candidly
reviews the great, the average, and the very poor performances offered by
competitors.
We've included Ms. Webster's reviews of some of our
favorite performers. 
You must read her
entire review here .   
 
 

Arthur Trace
Manipulation
U.S.A.
Sponsor – Dale Hindman (Academy of
Magical Arts)

"Post Modern Art"

An original and very creative
routine.

A cloth covered a framed piece of
artwork on an easel. Arthur entered, pulled off the cloth revealing a piece of
modern art in white, black and grey tones.

His movements were seamlessly
choreographed with his cool jazz music. Arthur plucked a circle from the
painting to do ball manipulation with amazing speed and dexterity. The white
balls changed to green and he picked another ball from the painting that became
orange.

Another white ball was added to
the mix, all the while manipulating the balls with great speed. A blue silk
appeared and turned the white ball blue. Another white ball to red and he put
all of the balls back into the painting to colour it up. He wiped the green
ball with his hand and smeared green paint on the picture.

Arthur dipped a brush into a paint
tin and painted a short white line on his black suit which he peeled off. It
became a card for manipulation with pure white cards, which then turned to red
and blue.

He painted a long white line on
his jacket, peeled it off and made cards out of the strip for a card fan that
turned into a coloured fan of cards. Arthur looked confident and smooth and his
moves were clean.

A card fountain appeared in front
of the painting, and as the cards flew into the air a few of them became a part
of the painting. He moved a couple of lines on the painting, took off his
"prescription" glasses and threw them on to the painting turning it
into a self-portrait.

An excellent routine, very
engaging. One of my favourites.

 

Rick Merrill
Card Magic
U.S.A.
Sponsor – Dale Hindman (Academy of
Magical Arts)

Rick Merrill walked out carrying a
pencil and began getting laughs before he even spoke. He plays a nerdish
character who was "home schooled" and as he delivers a brilliantly
scripted comedy routine he performs the most visual sleight of hand you've ever
seen.

He started by producing three
coins, changing them into Chinese coins, then repeating the whole thing with
jumbo coins. The coins seemed to appear and vanish at his fingertips
effortlessly.

He then went through a series of
manipulations with a coin and a Sharpie that really has to be seen to be
disbelieved.

Finally, Rick whipped the audience
into a frenzy with his "Sharpie impressions" (Penn, Teller, Uri
Geller, Jeff McBride, Doug Henning and Shimada) and received a partial standing
ovation.

 

Pilou
Manipulation
France
Sponsor – Guy Lamelot (Federation
Francaise Des Artistes Prestidigitateurs)

A "youth" in a beret and
street clothes reminiscent of Oliver Twist did what can be described as a
celebratory dance of magic.

Pilou was so easy, so natural, so
exciting and so happy as he displayed his incredible talents in dexterity and
performance.

He produced card fans to an apple,
which turned into a red silk that produced an apple again, which he pockets.
From the silk he produced a candle, as he lit it, there was a flash and it
turned into an apple again which he pockets. After producing three apples, he
juggled them in character.

He produced a flash that produced
a newspaper and confetti. He produced another apple from his hat, produced more
cards for a card manipulation routine, then single card productions.

He pulled out his shoe from his
beret, another apple and more and more cards, card scaling, card fan
productions, card juggling, catching a card in his mouth and hands to produce a
card fan that changed into a newspaper and confetti again. He took an apple
from his beret, then tipped up his beret causing many apples to fall out.

He sat sprawled easily over a
barrel, casually producing more and more cards and an apple, a red silk
revealed a large card fan that he split into two. He got up and scaled more
cards, produced his two shoes from his beret, then continued into large card
productions, then a newspaper and confetti again, more large cards, huge cards
from his beret, a card fan that he doubled into two card fans and confetti
burst everywhere.

An excellent act!!!

 

Shawn Farquhar
Parlour Magic
Canada
Sponsor – Joan Caesar (Association
Canadienne De Magiciens)

An extremely well rehearsed card
trick using a heart shaped projection screen to allow the audience to see the
clever card manipulation filmed live on camera.

A sealed regular deck of cards was
used, unwrapped for a spectator to select a card.
Before selecting a card, one Joker
and two advertising cards were thrown away. 53 cards remained.

A card was selected and signed by
the volunteer and returned to the deck. The card manipulation was performed
like ballet in the hands to the music 'shape Of  My Heart' by Sting.

A story was told in the song and
echoed in the card moves. The spectator's card was featured throughout the
routine as was a King which became half-faded. After the song had finished,
Shawn threw the Joker away and the spectator's card was instantly back in the
sealed deck which was then opened in front of the spectator.

There were 52 cards in order
including the faded King and the spectator's signed card, all of which were
given to the spectator as a souvenir.

A fabulous act.

(Shawn previously received a
second place with this act in Parlour Magic FISM 2003).

 

Rocco
Parlour Magic
U.S.A.
Sponsor – Dale Hindman (Academy of
Magical Arts)

Rocco, in his unique style, did a
version of his food production act and feasted on the results.

He produced and munched on bread
sticks, crumbling them in his hands and letting it all fall to the floor, He
produced salt and salted the food for flavour, he transformed the bread sticks
into pretzels, and bigger pretzels, and a bigger one still.

He changed tack and took a silk
tie to produce a rose from which he took the bud and put it on his jacket.

He produced a white ball and
turned it into a cane. Streamers were torn and rolled up into a ball that
turned into a candle. He lit the candle and squashed it into a cigarette. Now
he approached the microphone and spoke, but wandered away from it still talking
as he explained how he can control water.

He took a vase of water and poured
the water into a bowl and drank from it while still chewing on something. He
drank again, christened himself and then blessed the audience.

A flower drooped and he placed the
vase on his table, but missed at it dropped to the floor. (A trusty crew member
rushed on stage to put it back on the table).

Now he had two bowls of water and
continued to drink from them. The bowls kept filling and he
drank and drank and
drank and drank.

There was a fire in the bowl which
turned to red and white confetti. He finished by transforming the bowl into
confetti and streamers.
(This was the first time Rocco has
competed at FISM since winning 3^rd Place in Micro Magic in 1994).

 

Yamagami Brothers
Stage Illusions
Japan
Sponsor – Junichiro Sejima
(Society of Japanese Magicians)

These two young ten year old
brothers graced the FISM stage again with their ever so cute smiles and dynamism.
(We saw them in 2003 aged seven and they absolutely stole the show with their
illusions).

One dressed in a blue costume, the
other in red and together they performed a levitation over a stylized chair on
a small podium which they seemed to have some difficulty with. The "red"
brother uneasily floated to the ground from the podium then both performed an
upbeat, synchronized dance sequence with cartwheels.

Finally, they performed a sword
box/sub trunk illusion in the shape of a small pyramid. The "blue"
brother locked the "red" brother inside the pyramid, pushed five
swords through the box, pulled them out, stood on the pyramid, held up a silver
cloth and did an exchange with his brother.

Unfortunately, the secret was
exposed and the brothers did their best to cover it, then they marched off the
stage together.

The Yamagami Brothers have
fabulous presentational skills.

Gregory Wilson

Card Magic
U.S.A.
Sponsor – Dale Hindman (Academy of
Magical Arts)

Gregory has presented this routine
at FISM 2000 (where he won equal 3^rd place in Cards) and FISM 2003
(where he won equal 2^nd place) and it is always entertaining.

The close-up table is set as his
office and, on a small table to one side, is a time-clock. Gregory entered to a
great reaction and began with a joke as he poured a long stream of glitter from
his hand and said "Sorry about all the glitter, I shook Rocco's hand
before I came on."

He explained that card tricks are
his job and began by pouring a cup of coffee from a card case before taking a
deck of cards out of it. Gregory picked up a spike from his "desk" on
which was impaled a folded card, the audience called out a card at random and
he let them take the card off the spike, unfold it and it was the same card.

He almost got away with this
effect but the angles were bad from where I was sitting. He had Obie O'Brien
choose and sign a card which reappeared in a sealed deck in its original
position (this was a new addition to the act) and then he finished the act by
finding all of the cards from one suit in order.

His finale, find the 10 through
king from a card fountain from the time clock, messed up and he failed to find
the cards but the audience responded very well regardless.

Jon Armstrong

Card Magic
U.S.A.
Sponsor – Dale Hindman (Academy of
Magical Arts)

Jon began by having Rich Bloch and
his wife both choose the same card as he riffled through the deck. Next he had
Rich wrap a rubber band around the deck and Jon asked them both to choose a
card as he riffled and looked away. He stuck a card to his forehead (2S) but it
wasn't either of the chosen cards (AS & 7D).

In what appeared to be a very fast
thinking "out," Jon took his wallet from his jacket and inside were
the two chosen cards. Quickly running out of time Jon had the deck shuffled and
asked a lady for her phone number and then dealt it out, producing one card for
each number, onto the table.

Unfortunately Jon ran out of time
and was disqualified.

Continue reading Sue-Anne Webster’s Magic News from FISM